2026
Kyiv Breathing at Pax Christi (sound installation preview)
A three-hour sound work for Maria Kulykivska’s exhibition MY BODY IS A BATTLEFIELD at the Pax Christi Church, Krefeld, Germany. April — June 2026.
Built from field recordings gathered across Kyiv in late May and stitched by Maria’s processed breath. An immersive layer accompanying her sculptures, casts of her own body with bullet marks.
The shifting sounds oscillate between proximity and distance, intimacy and publicness, repeatedly allowing an imagination of the places, though the image remains blurred — Sebastian Blaseus, curator of fine arts and perfomance at Kunstkirche Pax Christi Krefeld
2026
Bullets of Flowers (2026 Malta Biennale teaser)
Auditory landscape for Bullets of Flowers pavilion at the 2026 Malta Biennale. Collaboration with Maria Kulykivska and the Garage33 Gallery-Shelter team. Birgu Old Armory, March 11 — May 29.
The sound environment draws from two sources: the recording of Valentyn Silvestrov’s Sonata of Sorrow and Curse, performed by Yevhen Gromov, and voice and field recordings by Maria and Maksym. The soundscape pushes the material into a wilder realm while staying tethered to Silvestrov’s melodic meditations. This alloy of methods carries the weight of the pavilion’s intimate, abrasive, and socially catalytic work.
2025
Penelope’s Dreams (soundscape preview)
Multimedia installation by Polina Choni, Teta Tsybulnyk, and Maksym Razdobudko. The project treats the myth of Penelope as the labor of a psyche during war. Art (Choni), psychoanalysis (Tsybulnyk), and sound (Razdobudko) trace the paths of dreams and memory.
For more insights, read Teta’s essay.
Part of the exhibition At 2:47 a.m. in the Shelter, I Saw the Sea. Garage33 Gallery-Shelter, Kyiv. January 18 — February 21, 2026.
The music is frothy and trickling — Anfisa Doroshenko, ArtsLooker
2025
EP, self-released
1. FOR A MOMENT
2. MANTRA
3. I AM A ROCK, I AM AN ISLAND
4. SIX MONTHS
5. BONUS TRACK #1
6. SO, HOW ARE YOU TODAY?
For R.
BANDCAMPThe overall sound of RE: feels like an incantation and has a shamanic quality to it, with its percussive refrains — Gianmarco Del Re, A Closer Listen
2024
2026 DOCU/SYNTHESIS trailer — score by Maksym Razdobudko
Soundtrack for Teta Tsybulnyk’s video essay I Am a Rock. The score is based on Simon & Garfunkel’s song of the same name.
The essay was part of the DOCU/SYNTHESIS program at the 2026 Docudays UA film festival.