A three-hour sound work for Maria Kulikovska’s exhibition MY BODY IS A BATTLEFIELD at the Pax Christi Church, Krefeld, Germany. April — June 2026.
Built from field recordings gathered across Kyiv in late May and stitched by Maria’s processed breath. An immersive layer accompanying her sculptures, casts of her own body with bullet marks.
The shifting sounds oscillate between proximity and distance, intimacy and publicness, repeatedly allowing an imagination of the places, though the image remains blurred — Sebastian Blaseus, curator of fine arts and performance at Kunstkirche Pax Christi Krefeld
Auditory landscape for the Bullets of Flowers pavilion at the 2026 Malta Biennale. Collaboration with Maria Kulikovska and the Garage33 gallery team. Birgu Old Armoury, March 11 — May 29.
The sound environment draws from two sources: the recording of Valentyn Silvestrov’s Sonata of Sorrow and Curse, performed by Yevhen Gromov, and voice and field recordings by Maria and Maksym. The soundscape pushes the material into a wilder realm while staying tethered to Silvestrov’s melodic meditations. This alloy of methods carries the weight of the pavilion’s intimate, abrasive, and socially catalytic work.
Multimedia installation by Polina Choni, Teta Tsybulnyk, and Maksym Razdobudko. The project treats the myth of Penelope as the labor of a psyche during war. Art (Choni), psychoanalysis (Tsybulnyk), and sound (Razdobudko) trace the paths of dreams and memory.
For more insights, read Teta’s essay.
Part of the exhibition At 2:47 a.m. in the Shelter, I Saw the Sea. Garage33 gallery, Kyiv. January 18 — February 21, 2026.
The music is frothy and trickling — Anfisa Doroshenko, ArtsLooker
EP, self-released
1. FOR A MOMENT
2. MANTRA
3. I AM A ROCK, I AM AN ISLAND
4. SIX MONTHS
5. BONUS TRACK #1
6. SO, HOW ARE YOU TODAY?
For R.
The overall sound of RE: feels like an incantation and has a shamanic quality to it, with its percussive refrains — Gianmarco Del Re, A Closer Listen
Soundtrack for Teta Tsybulnyk’s video essay I Am a Rock. The score is based on Simon & Garfunkel’s song of the same name.
The essay was screened at the 2024 KORDON Art Film Festival in Estonia and the 2026 Docudays UA film festival in Ukraine.